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 SELECTED PRESS

“Riveting intensity... a tantalizing house of mirrors.”

THE HOLLYWOOD REPORTER


“Utterly engrossing… balances a febrile intimacy with sumptuous and lyrical compositions.”

SIGHT & SOUND


“A deeply human portrayal.”

VARIETY


“Sincerely one of the best films of 2020.”

THE CRITERION CAST


“Explosive”

LITTLE WHITE LIES


"Exquisite... one of the best documentaries about
the power of filmmaking ever made."

 
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TOISTO


"A fascinating, tragicomic mirror-play about
a complex but loving relationship"

 
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"Provocative... a richly textured experience"

SCREEN INTERNATIONAL


"An exorcism of ghosts, lies and absences..."

ESCRIBIENDOCINE


“Thought-provoking stuff”

THE GUARDIAN


" A fascinating study of the extent to which
filmic truth can be pushed."

 
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"Exciting, inventive… original”

FILM THREAT


"Sure to fascinate and hypnotize audiences alike"

FILM INQUIRY


“Compelling”

SOUNDS & COLOURS UK


‘There is No Film Safe from Some Version of Exploitation…’
— Scarpelli on making EL FATHER PLAYS HIMSELF

FILMMAKER MAGAZINE


"You see affection and pain for lost time,
with the jungle as a silent witness."

 
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"A sort of electrocardiogram of the relationship
between life and fiction."

DUELS ITALY


"An utterly compelling insight into the dynamics of a father and son relationship as well as masculine perfomativity."

OANA TENTER, DISPATCH FEMINIST MOVING IMAGE


“Shocking and moving”

FILMKRANT


"Scarpelli’s eye is never intrusive, always empathetic,
yet it never feels as if she’s holding back."

FRAMELAND


"Fascinating."

CINEUROPA


"The intense work of emotional excavation joins reflection...
on the fragile border between reality and fiction."

INFOOGGI ITALY


"Unfiltered and profound."

CLAPPER UK


"A deconstruction of the parable of the prodigal son"

DOK.KIEZ